What is Modern Drama
The drama which had suffered a steep decline during the Victorian Age was revived with great force at the beginning of the 20th century and the course of six decades has witnessed many trends and currents in the 20th-century drama.
History of Modern Drama
English Drama during the Modernist Period (1845-1945) A.D. falls into three categories:
- The first and the earliest phase of modernism in English Drama is marked by the plays of G.B. Shaw (read Summary of Candida) and John Galsworthy, which constitute the category of social drama modeled on the plays of Ibsen and.
- The 2nd and the middle phase of Modernist English drama comprise the plays of Irish movement contributed by some elites like Yeats. In this phase, the drama contained the spirit of nationalism.
- The 3rd and the final phase of the Modernist English Drama comprise plays of T.S. Eliot and Christopher Fry. This phase saw the composition of poetic dramas inspired by the earlier Elizabethan and Jacobean tradition.
The three categories reflect the three different phases as well as the three different facets of Modern English Drama.
Modern Drama Characteristics
Realism is the most significant and outstanding quality of Modern English Drama. The dramatists of the earlier years of the 20th century were interested in naturalism and it was their endeavor (try) to deal with real problems of life in a realistic technique to their plays.
It was Henrik Ibsen, the Norwegian dramatist who popularised realism in Modern Drama. He dealt with the problems of real life in a realistic manner of his play. His example was followed by Robertson Arthur Jones, Galsworthy and G. B. Shaw in their plays.
The modern drama has developed the Problem Play and there are many Modern Dramatists who have written a number of problem plays in our times. They dealt with the problems of marriage, justice, law, administration, and strife between capital and labor in their dramas.
The problem play was a new experiment in the form and technique and dispensed with the conventional devices and expedients of theatre.
Play of Ideas
Modern Drama is essentially a drama of ideas rather than action. The stage is used by dramatists to give expression to certain ideas which they want to spread in society.
Modern Drama dealing with the problems of life has become far more intelligent than ever it was in the history of drama before the present age.
With the treatment of actual life, the drama became more and more a drama of ideas, sometimes veiled in the main action, sometimes didactically act forth.
The earlier dramatists of the 20th century were Realists at the core, but the passage of time brought in, a new trend in Modern Drama. Romanticism, which had been very dear to Elizabethan Dramatists found its way in Modern Drama and it was mainly due to Sir J.M. Barrie’s efforts that the new wave of Romanticism swept over Modern Drama for some years of the 20th century. Barrie kept aloof from realities of life and made excursions into the world of Romance.
T.S. Eliot was the main dramatist who gave importance to poetic plays and was the realistic prose drama of the modern drama. Stephen Phillips, John Drink Water, Yeats, etc were from those who wrote poetic plays.
History and Biographical Plays
Another trend, visible in the Modern English drama is in the direction of using history and biography for dramatic technique. There are many beautiful historical and biographical plays in modern dramatic literature.
Shaw’s Caesar and Cleopatra are historical plays of great importance. John Drink Water’s Abraham Lincoln and Mary Stuart are also historical plays.
A new trend in the Modern English Drama was introduced by the Irish dramatists who brought about the Celtic Revival in the literature.
In the hands of the Irish dramatists like Yeats, J.M. Synge, T.C. Murrey etc. drama ceased to be realistic in character and became an expression of the hopes and aspirations of the Irish people from remote ways to their own times.
Comedy of Manners
There is a revival of the Comedy of Manners in modern dramatic literature. Oscar Wild, Maugham, N. Coward, etc. have done much to revive the comedy of wit in our days.
The drama after the second has not exhibited a love for comedy and the social conditions of the period after the war is not very favorable for the development of the artificial comedy of the Restoration Age.
It is a movement that shows the effects of things and events on the mind of the artist and the attempt of the artist to express his expressions. Impressionism constitutes another important feature of modern drama.
In the impressionistic plays of W.B. Yeats, the main effort is in the direction of recreating the experience of the artist and his impressions about reality rather than in presenting reality as it is.
The impressionistic drama of the modern age seeks to suggest the impressions on the artist rather than making an explicit statement about the objective characteristics of things or objects.
It is a movement that tries to express the feelings and emotions of the people rather than objects and events. Expressionism is another important feature of modern drama. It marks an extreme reaction against naturalism.
The movement which had started early in Germany made its way in England drama and several modern dramatists like J.B. Priestly, Sean O’ Casey, C.K. Munro, Elmer Rice have made experiments in the expressionistic tendency in modern drama.